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There was a scene that guy shot which is

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all about super duper

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crazy slow motion and things hitting and

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things you know James Haret literally

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doing a masterpiece of you know it's

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like it's like an editing masterass

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and I looked at that thing and the first

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time I looked at it and I and hm right

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okay there's all this story going on

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there's all this stuff going on and

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stylistically it's it's very different

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from

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anything in this movie um

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so that two ways of solving it either I

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can go and

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figure out every moment and

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do something with every moment or I can

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find

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like a crazy simplistic through line.

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Um,

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and so, so the tempo had to be right.

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And the these guys had been working, you

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know, I think Guy will forgive me for

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saying this, they'd been work working in

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the cutting room on this scene forever

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and they could not they didn't want to

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go and ever look at that scene again.

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Um, and so this is where the grid thing

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is interesting because it changes the

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feel. So they were basically

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very maybe a little bored with the

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scene, right? So So I remember the first

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time I showed it to guy

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without saying anything cuz play it

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again. Play it again.

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Play it again. I thought,

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what's he thinking? He's not telling you

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what he's thinking. he's, you know, he's

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either he's either hating it or he's

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trying to cover with some, it was like

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he couldn't look at the scene anymore

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and suddenly he found it completely

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compelling to look at again. Um,

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so if I can find this bit, uh, god,

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where was it? Real fine. We come from

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actually we come from something you know

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which is on purpose very action musicy

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and very um straight.

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Where are the horses?

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They're behind.

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We need them.

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Do you want to go back?

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What's my

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This is nothing. Just let him talk.

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just it's just one note. The whole thing

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is just

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coming

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to

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So obviously there's so many different

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tempers going on in the scene in the cut

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in the in the way he treats every shot.

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So, so by just

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brutally

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imposing this grid onto it, it feels

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like sort of things can't end up good.

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You know, it's like like like fate just

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grabs you and,

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you know, imposes its own rhythm on top

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of it. Um, and I'm I am on purpose not

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moving notes. It's just like

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boldly sticking to one note.